The Amazing Spider-Man
“I was just a young, unthinking teenager…when I first
became Spider-Man…But, the years have a way of slipping by …Of changing the
world about us…And, every boy…sooner or later…Must put away his toys…And
become…A man!”
A reminder, my reviews are generally for comic books fans
and that I try not to give anything away. In this review, the Spoiler section
discusses many more issues in depth.
Once upon a time, at the beginnings of the 1960, there was a
young high school kid, who lived in Forest Hills with just his mother. He was shy, wore glasses, and had photography
as a hobby.
That boy was me and, in 1962, I bought Amazing Fantasy off
the newsstands and later Spider-Man 1-160.
I was excited but greatly disappointed in the TV show. I had to wait
until 2002 to see a real movie. Despite
some quirks, that was my Spider-Man up there, and I like that movie and especially
Spider-Man II. Spider-Man III not so much.
I felt the casting was mostly great,
Tobey Maguire was perfect as Peter Parker, Cliff Robinson
was a great Uncle Ben and J.K. Simmons was perfect a J.J.J. Kirsten Dunst and Willem Dafoe were serviceable, and, but for
me were not standouts. But Rosemary Harris, as Aunt May was. She brought great
depth and strength to her character and shared that with Peter. In my day,
Spidey was bitten by a radioactive spider, here a genetically altered one, and,
it was better for the movies for his webs to be organic, and something the
Comics Code might have stopped in 1962.
I wasn’t excited about a reboot. You see, today we use the
term “reboot” as not starting over, clean, from the beginning, but just a
rewriting what has gone before. To me, that is mostly what the Amazing
Spider-Man was about. The best reboot in comic’s history was the 1956 Flash.
The idea was brought back as a completely different character, with a different
back story and name. It inspired so many others. The James Bond movies update
the character with every new “Bond” but it really isn’t a reboot.
The movie the Amazing Spider-Man was a disappointment; this
was not my Spider-Man. First, to “look”
different they felt they had to change things.
So Peter starts off in high school, where he should be 16 or 17. But
they cast a 30 year old actor to play him! Andrew Garfield is not bad, but he
does not fit the role. Neither does Emma Stone, who is ten years too old.
Frankly, Sally Field as Aunt May is way too young! You see, as with Dr.
Strange, Ditko’s other great Marvel creation; we are given an older, frail
person who is a mentor to the hero. Frail is important because we know they
won’t be around forever and our heroes, Peter or Stephen better learn now. Of
course it also opens many plot complications. Sally Fields, a wonderful actress,
(I like her, I really, really like her) but she doesn’t fit. She is not frail, with someone needing to
care of her. You see they know Garfield
is thirty years old and is not a kid.
They know you know it. So even though they placed him High School, they
have him acting as if that was his job, not his school. In fact, he needs no notes when he is late to
class. And he apparently doesn’t live in Forest Hills anymore. He does go to Midtown High, which he did in
the original comics.
You see, it’s important to have the scenes where a mature, smart and
older woman, comforts a 16 year old and tells him about life and girls. In fact their scenes don’t make senses. Peter
comes home battered, and of course she is worried. But Peter is 16 and what the
hell is doing out on a school night? And Ditko’s Aunt May would not let him go
out again without telling her what happened.
Not that she or Martin Sheen is given anything real to do.
Or Say. There is no humor here (OK one
good joke) and no humanity. They feel they are cleaver switching things, so it
is not the same burglar that kills Ben. Nor does Ben tell us what comes with
great power. Instead, they give him a silly unquotable substitute that makes no
sense.
Gwen Stacy, as played by the very appealing Emma Stone, was
not Spidey’s first girlfriend, Betty Brant was.
But we will not see Betty here, as J.J.J.’s secretary because, he isn’t
here either. Part of the lure of
Spider-Man was his action in his first story, not stopping a burglar, would
have repercussions for Ditko’s entire run, up to issue #38. There are no repercussions;
Peter does not need a job. Yes, he fools around with a camera, but I noticed it
was one that uses film in a world that has gone digital. The relationship with
Gwen is accelerated and goes rather smoothly although she does not have maid
service here.*
I have mentioned this before, but there now seems to be a
formula for the origin in every super-hero movie, and since I know the story in
most and have seen in here, I wished it was not rehashed. The formula:
- We are introduced to the soon to be hero and the friends and family around him.
- He gets his powers.
- He usually loses a few friends or relatives (Jor-El and Lara, Martha and Thomas Wayne, Uncle Ben, Battling Murdock, Dr. Reinstein, etc.)
- Hilarity ensures as the super hero discovers his powers, although we never learn how they learned to sew their costumes.
The villains go two ways. First, they usually follow at
least the first two steps above. But, to save time, I notice in Batman Begins,
The Fantastic Four and now here, the villain’s origin is tied into the heroes.
Well, here we have the Lizard and, believe or not he gets tied into Spidey’s
origin. In fact Peter actually shows more regret for helping create the Lizard
than for the shooting of Uncle Ben. The Lizard is not the one we know from, the
comics, he is more of a Hulk character here. And the end is just preposterous.
Completely gone is the scene where Peter becomes
a wrestler and lets a burglar get away. Instead, they substitute a scene where
Peter is 2 cents short at a local convenience store and lets a robber get away,
because the cashier insisted on the 2 cents.
This, of course, takes only a minute, when the original took probably
ten. But it makes Peter look petty, not
angry, and dilutes the impact the original in both the comic and movie had on
me.
The Lizard here is computer generated and looks great. He
is, mostly, three times the size of Spidey. The scenes of Spidey, virtually
flying though the city are totally realistic, they look so good. Spidey’s costume looks like it made of rubber
and not cloth. And yes, the Spider bit
also gave Peter the power to sew! He
sews his own costume.
The 1959 movie, “The Alligator People” involves a doctor that creates potions from Alligators to accelerate the healing process of injured people and to grow back limbs. At one point, the doctor sounded just like Connors did in explaining the process and motivation. At the end, Bruce Bennett (who looks like Dr. Connors) is belted by gamma rays turns into a human alligator. Stan Lee: “As far as The Lizard is concerned, I really can’t remember if I saw “The Alligator People” or not. I often used animals, insects and birds as names for characters, as evinced by Dr. Octopus, the Vulture, the Falcon, the Scorpion, the Ox, the Black Panther, etc. etc.”
If you liked the first two Spider-man movies and were not
thrilled with the third, I suspect you won’t like this one. I didn't. I did not see the movie in Imax, simply because the Imax
movie in my neighborhood is so loud it leaves my ears ringing.
Oh, Boy, the Spoilers:
Peter Parker, here, is not
the shy retiring and reserved type. From the beginning he confronts Flash Thompson, something very different than the original character. In fact he searches out Curt Connors to
find out what he knows about Peter’s parents. This is so secret that Ben and
May don’t want to tell him. Curt Connors,
who appeared as the Lizard only once in the Ditko era, was a friend and ally of
Spider-Man, not so here, he was a sympathetic figure, with a wife and child, and
a substitute for Uncle Ben. Here is a loyal,
and evil employee of Oscorp trying to create a cure for the ill (but unseen)
Norman Osborn, rather than a substitute to Uncle Ben. He also knows some terrible secret regarding
the missing parents of Peter Parker, which again, is out of character for everyone.
Peter at age 16, writes the
formula that converts Connors into the Lizard. Unlike the original character,
Connor’s likes being the Lizard, and keeps changing back, much like he was turning into the Hulk.
Further, Peter kind of steals his
web technology from Oscorp, where, apparently anyone can sneak in and go to
restricted parts of the building.
The Lizard's plot is to launch a “missile” that will turn everyone in the city into
a lizard. That is not a Spider-Man plot,
that is a bad Japanese movie. In fact the only good joke in the movie occurs
when the Lizard is attacking, people are running and Capt. Stacy says, “What am
I, The mayor of Tokyo?” Gwen, a 16 year old, who
serves as an intern at Oscorp has access to the entire building and can run any
experiments she wants in empty labs, comes up with the cure to the Lizard’s plan. Wow.
The ending just made no sense. Get
this, the Lizard has taken over the city and is heading to midtown to launch
his missile at the Oscorp building. The Mayor ordered an evacuation; everyone
has either left or is leaving the city.
OK? On the lower east side of Manhattan,
captured by the police, Spider-Man is shot in the leg and is weak, limping and
bleeding. (This is silly, we know he is going to win), and he has eight minutes
to get there! So how does he get to the
Lizard? A crane operator, who Spidey once helped, calls other crane operators
to go to their cranes and line them up perfectly so Spidey can swing across the
city and save everyone.
OK Let’s review: The city is evacuated, with trains, and
buses traveling away from the city, and 25 crane operators are able to get to
the top of their 100 stories buildings, turn on their cranes and point them in
the right direction in less than four minutes. Remember time is “real” here
there is a countdown.
Oh, yeah, after this scene, Peter
doesn’t limp. In fact he doesn’t have to
see a doctor to get the bullet removed.
At the end of the movie, after a
minute of credits, we see Connors in jail (remember in the comic he was not
evil and served no jail time) and a mysterious voice asks him if he told Peter
about his parents! Wow, I guess will
have to worry about that.
* Miss Stone appeared in the movie, "The Help"
Barry,
ReplyDeleteI had no plans to support the producers for their reboot, so thanks for the summary. (And I won't even comment on the aberration of the costume...)
While the Raimi films aren't perfect (#3 gets sloppy here and there!) I really enjoyed them. I agree with your opinions of the cast. Man, did I think their Betty Brant was a cutie! Really done in the Ditko style.
The first film perfectly captured the origin of Spider-Man, right down to the wrestling angle. Goblin, while visually a different take, still had the basic Ditko look (the wicked face mask and glider/pumkin bombs). Doc Ock was amazing. A singularly unique Ditko design for the ages! Those films, to me, are the Ditko Spider-Man films. Let the new audiences have their 'Ultimate Spider-Man' or whatever they're going for...
Look at me, talking about a 10 year old film on your post about AMAZING SPIDER-MAN....Oh well, I don't thing either of us minds!
Thanks and see you around,
Javier
Javier, I appreciate your comments, they are valid and import. Betty was played by Elizabeth Banks who has become a pretty big star.
ReplyDeleteYou know, if they felt that their Spider-man was getting old and needed to be replaced, I'd get that, but they replaced him with a a slightly younger 30 year odl.
Barry,
ReplyDeleteYour review points to a lack of thought or direction in the movie, which is unfortunate. And why would they want to eliminate the important humor relief of J. Jonah Jameson?